0 00:00:00,000 --> 00:00:30,000 Dear viewer, these subtitles were generated by a machine via the service Trint and therefore are (very) buggy. If you are capable, please help us to create good quality subtitles: https://c3subtitles.de/talk/666 Thanks! 1 00:00:13,650 --> 00:00:15,729 Well, thanks so much for coming 2 00:00:15,730 --> 00:00:18,419 in, like they say, my name is Mary 3 00:00:18,420 --> 00:00:21,119 and I defined my practice as Chiarello, 4 00:00:21,120 --> 00:00:22,769 that means throwing out graffiti quite 5 00:00:22,770 --> 00:00:25,379 happy. I work with all technologies 6 00:00:25,380 --> 00:00:27,719 like for analytics 7 00:00:27,720 --> 00:00:29,109 and for me. 8 00:00:29,110 --> 00:00:31,199 Yeah, use that because or 9 00:00:31,200 --> 00:00:33,299 both share these grid as 10 00:00:33,300 --> 00:00:35,489 a framework around the decorator's 11 00:00:35,490 --> 00:00:36,869 instructions. 12 00:00:36,870 --> 00:00:39,329 So we live in a time that 13 00:00:39,330 --> 00:00:40,539 we don't really like. 14 00:00:40,540 --> 00:00:42,899 The software became of solid even 15 00:00:42,900 --> 00:00:44,519 before we learned how to use it. 16 00:00:44,520 --> 00:00:46,409 And I think that working with these 17 00:00:46,410 --> 00:00:48,539 technologies is some kind of challenge. 18 00:00:48,540 --> 00:00:51,089 But my background is not the actual 19 00:00:51,090 --> 00:00:53,549 computer. So I came from the 20 00:00:53,550 --> 00:00:55,949 analog black and white photocopies 21 00:00:55,950 --> 00:00:57,899 and the collage and I start to work with 22 00:00:57,900 --> 00:01:01,229 low pixel graphics 2004. 23 00:01:01,230 --> 00:01:03,659 And I did Leja basically for 24 00:01:03,660 --> 00:01:05,929 my night work related to musicians 25 00:01:05,930 --> 00:01:08,129 there during almost like six 26 00:01:08,130 --> 00:01:09,149 years. 27 00:01:09,150 --> 00:01:11,279 And at some point the Bixler didn't 28 00:01:11,280 --> 00:01:12,449 really. 29 00:01:12,450 --> 00:01:14,699 Yeah, well, it does get boring. 30 00:01:14,700 --> 00:01:16,949 So I decided to change 31 00:01:16,950 --> 00:01:19,859 a pixel for the characters 32 00:01:19,860 --> 00:01:21,389 and the reason you lie. 33 00:01:21,390 --> 00:01:23,519 Yeah. So I moved to 34 00:01:23,520 --> 00:01:25,439 Sweden and somehow I get in touch with 35 00:01:25,440 --> 00:01:27,629 the demo scene and this is 36 00:01:27,630 --> 00:01:29,939 the fork into my life, so 37 00:01:29,940 --> 00:01:31,649 and I start to work with it in the demo 38 00:01:31,650 --> 00:01:32,819 bodies. So I 39 00:01:33,990 --> 00:01:36,389 and basically I learned 40 00:01:36,390 --> 00:01:38,009 how to yeah. 41 00:01:38,010 --> 00:01:40,239 Ladies find these like pizzicato like 42 00:01:40,240 --> 00:01:41,699 they've got a third set for the 43 00:01:41,700 --> 00:01:43,499 characters of what this is before. 44 00:01:43,500 --> 00:01:45,599 And I combine like different things that 45 00:01:45,600 --> 00:01:47,909 I was interested in, like storytelling. 46 00:01:47,910 --> 00:01:50,279 Carter said slow. 47 00:01:50,280 --> 00:01:52,439 It is the 3D war for like craft, 48 00:01:52,440 --> 00:01:53,729 the light, everything that you do with 49 00:01:53,730 --> 00:01:55,589 your hands, like the stress strategy of 50 00:01:55,590 --> 00:01:57,689 the Keever and actually where 51 00:01:57,690 --> 00:02:00,149 the keyboard is. Loihi came up 52 00:02:00,150 --> 00:02:02,819 like the keyboard of the 53 00:02:02,820 --> 00:02:05,309 Yeah quotation for a forgiver unsalaried 54 00:02:05,310 --> 00:02:07,439 as the technique for craft. 55 00:02:07,440 --> 00:02:10,288 And I also was interested in the grid and 56 00:02:10,289 --> 00:02:11,819 Saige sometimes. 57 00:02:11,820 --> 00:02:13,739 And I think that the text got out there 58 00:02:13,740 --> 00:02:17,039 or in this case the and investigators 59 00:02:17,040 --> 00:02:19,229 are kind of like role 60 00:02:19,230 --> 00:02:21,449 and broadcast like concrete. 61 00:02:21,450 --> 00:02:23,329 So they have a lot of similarity with 62 00:02:23,330 --> 00:02:24,839 their architecture. 63 00:02:24,840 --> 00:02:26,909 So I also relay that is like three, 64 00:02:26,910 --> 00:02:29,099 four and yeah, just 65 00:02:29,100 --> 00:02:31,679 completely raw and brutal. 66 00:02:31,680 --> 00:02:33,589 And I really like the idea of the 67 00:02:33,590 --> 00:02:36,449 situation and also overlay 68 00:02:36,450 --> 00:02:37,349 the demo scene. 69 00:02:37,350 --> 00:02:39,659 And I 70 00:02:39,660 --> 00:02:42,389 also get in touch with 2011 71 00:02:42,390 --> 00:02:45,029 with a teletext engineer that he milady's 72 00:02:45,030 --> 00:02:47,129 insert their insert there so you can 73 00:02:47,130 --> 00:02:50,009 take Twitters in teletext. 74 00:02:50,010 --> 00:02:52,079 So start to work with him for like using 75 00:02:52,080 --> 00:02:54,329 teletext for uh, for me since everything 76 00:02:54,330 --> 00:02:56,659 was based just in it and 77 00:02:56,660 --> 00:02:58,619 the acrostic they write that. 78 00:02:58,620 --> 00:03:00,749 So yeah, as I say, 79 00:03:00,750 --> 00:03:02,819 like yours is just like the 80 00:03:02,820 --> 00:03:05,789 other hand. And uh, and it's basically 81 00:03:05,790 --> 00:03:07,859 like what you do is what you get. 82 00:03:07,860 --> 00:03:09,899 So you just type characters like a 83 00:03:09,900 --> 00:03:12,119 typewriter, like a concrete form 84 00:03:12,120 --> 00:03:13,859 and you just build that animation 85 00:03:13,860 --> 00:03:15,869 graphics from scratch so there's no 86 00:03:15,870 --> 00:03:18,239 control set so you can not go. 87 00:03:18,240 --> 00:03:20,399 So you have to do it in one 88 00:03:20,400 --> 00:03:21,519 chance and that's it. 89 00:03:21,520 --> 00:03:23,519 You fuck it up, you have to start all 90 00:03:23,520 --> 00:03:24,869 over again. 91 00:03:24,870 --> 00:03:27,089 So here's a little bit like 92 00:03:27,090 --> 00:03:29,219 what kind of 93 00:03:29,220 --> 00:03:32,009 like a statement, 94 00:03:32,010 --> 00:03:33,419 to be honest or so. 95 00:03:33,420 --> 00:03:35,789 Yeah. Basically for me, like using this, 96 00:03:35,790 --> 00:03:38,099 the technology is not like 97 00:03:38,100 --> 00:03:39,749 a souvenir from the past, like just 98 00:03:39,750 --> 00:03:42,419 something that is for archive 99 00:03:42,420 --> 00:03:44,039 or for a story to sell out. 100 00:03:44,040 --> 00:03:46,179 Anyway, I think this 101 00:03:46,180 --> 00:03:48,339 is a challenge because 102 00:03:48,340 --> 00:03:49,559 it puts you a little bit. 103 00:03:49,560 --> 00:03:51,929 So it's not like 104 00:03:51,930 --> 00:03:54,459 it's just a dialog between technology 105 00:03:54,460 --> 00:03:56,519 and yourself and you just have 106 00:03:56,520 --> 00:03:58,829 to give to give up 107 00:03:58,830 --> 00:03:59,830 because basically 108 00:04:01,140 --> 00:04:03,299 everything that you do is just show it. 109 00:04:03,300 --> 00:04:05,699 And and there's no and just 110 00:04:05,700 --> 00:04:08,009 it's all the mistakes and everything 111 00:04:08,010 --> 00:04:09,389 that you saw is that kind of like an 112 00:04:09,390 --> 00:04:11,360 honest and real way of working. 113 00:04:12,420 --> 00:04:14,639 So, yeah, this kind of research 114 00:04:14,640 --> 00:04:16,559 with this small Tumblr, we've got the 115 00:04:16,560 --> 00:04:18,869 idea from 2012, 2014 116 00:04:18,870 --> 00:04:21,059 that everything that was related to light 117 00:04:21,060 --> 00:04:23,669 from textile architecture 118 00:04:23,670 --> 00:04:24,839 obvious. 119 00:04:24,840 --> 00:04:26,589 Well, all of them were seen all day, 120 00:04:26,590 --> 00:04:29,009 Askhat, just as a way to 121 00:04:29,010 --> 00:04:31,259 frame it, what I was doing. 122 00:04:31,260 --> 00:04:33,389 So and from the 123 00:04:33,390 --> 00:04:35,759 research, I can in my own practice. 124 00:04:35,760 --> 00:04:37,799 So I decided that, yeah, this is kind of 125 00:04:37,800 --> 00:04:40,199 like the first ten minutes of what I 126 00:04:40,200 --> 00:04:41,309 work with it. 127 00:04:41,310 --> 00:04:43,409 So it's like drawing, drafting by typing. 128 00:04:43,410 --> 00:04:45,299 So it'll float flat and brutal. 129 00:04:45,300 --> 00:04:47,579 So it just straightforward and 130 00:04:47,580 --> 00:04:49,919 uh, and for me also nostalgic, retro 131 00:04:49,920 --> 00:04:51,449 unlimited is the rhetoric. 132 00:04:51,450 --> 00:04:54,209 Quality is a constant repetition because 133 00:04:54,210 --> 00:04:55,979 I don't have this computer, I don't have 134 00:04:55,980 --> 00:04:57,539 the nostalgia for them. 135 00:04:57,540 --> 00:04:59,609 And I think that people didn't 136 00:04:59,610 --> 00:05:01,619 really know how to splain just to not get 137 00:05:01,620 --> 00:05:03,779 into the lo fi or the a bit or 138 00:05:03,780 --> 00:05:05,969 that. So they just use this 139 00:05:05,970 --> 00:05:08,369 limitation and retro and just 140 00:05:08,370 --> 00:05:10,589 and I think it's a little bit more than 141 00:05:10,590 --> 00:05:11,729 that. 142 00:05:11,730 --> 00:05:13,649 And I think is you, sir. 143 00:05:14,730 --> 00:05:16,889 And the problem with all 144 00:05:16,890 --> 00:05:19,349 technology is normally just like, 145 00:05:19,350 --> 00:05:21,599 yeah, as I say, archive or 146 00:05:21,600 --> 00:05:23,879 to sell out, but nobody really meant for 147 00:05:23,880 --> 00:05:25,169 just being used. 148 00:05:25,170 --> 00:05:26,609 So that that is all that. 149 00:05:26,610 --> 00:05:28,989 I mean, there's still no, it's just that. 150 00:05:28,990 --> 00:05:31,259 So you can actually still working and 151 00:05:31,260 --> 00:05:34,049 learn like new things every day. 152 00:05:34,050 --> 00:05:36,269 So yeah, this is basically the their for 153 00:05:36,270 --> 00:05:38,339 the Commodore 64 and the Betty. 154 00:05:38,340 --> 00:05:39,989 So we have like these. 155 00:05:39,990 --> 00:05:42,209 Yeah. Letters and all these symbols 156 00:05:42,210 --> 00:05:44,459 that you can combine and you can create 157 00:05:44,460 --> 00:05:47,129 like different the almost like. 158 00:05:47,130 --> 00:05:49,559 But I'm not interested in letters 159 00:05:49,560 --> 00:05:50,609 only. 160 00:05:50,610 --> 00:05:53,009 Yeah. Decoration or like wallpaper 161 00:05:53,010 --> 00:05:54,899 and reinterpreting the animation and the 162 00:05:54,900 --> 00:05:56,519 storytelling and how you can combine 163 00:05:56,520 --> 00:05:58,799 these to create the whole story. 164 00:05:58,800 --> 00:05:59,819 So yeah. 165 00:05:59,820 --> 00:06:01,589 So I started the demo scene. 166 00:06:01,590 --> 00:06:03,759 So one of these demo parties in Sweden, 167 00:06:03,760 --> 00:06:06,539 my friend was DataStore in 2011 168 00:06:06,540 --> 00:06:08,729 and I just sit there and I have to push 169 00:06:08,730 --> 00:06:10,919 yourself and do something in two 170 00:06:10,920 --> 00:06:12,989 days. So it in the in 171 00:06:12,990 --> 00:06:14,549 the competition and you just have one 172 00:06:14,550 --> 00:06:17,249 chat so people like it or people don't, 173 00:06:17,250 --> 00:06:18,639 but you don't talk about it. 174 00:06:18,640 --> 00:06:20,429 It's just what it is. 175 00:06:20,430 --> 00:06:22,529 So and I really like this idea of labels 176 00:06:22,530 --> 00:06:24,659 yourself and just try to do your best 177 00:06:24,660 --> 00:06:26,429 and if you fail, well, you try it again 178 00:06:26,430 --> 00:06:27,959 and feel better. 179 00:06:27,960 --> 00:06:30,149 So this is a little bit of samples 180 00:06:30,150 --> 00:06:32,309 of several demos we did 181 00:06:32,310 --> 00:06:34,139 like with the High Country Group. 182 00:06:34,140 --> 00:06:35,999 So in the graphic where we've got the 183 00:06:36,000 --> 00:06:38,069 idea, musician and madman 184 00:06:38,070 --> 00:06:39,989 and this program. 185 00:06:39,990 --> 00:06:41,069 So we just present these. 186 00:06:42,090 --> 00:06:44,159 Yeah. These few demos that compose. 187 00:06:44,160 --> 00:06:45,569 And yeah, it was 188 00:06:46,980 --> 00:06:49,379 very funny like 189 00:06:49,380 --> 00:06:50,819 that in several days. 190 00:06:51,960 --> 00:06:53,699 And yeah, this is like a standstill. 191 00:06:53,700 --> 00:06:55,889 Graphics just do with, with 192 00:06:55,890 --> 00:06:58,289 your characters. It so 193 00:06:58,290 --> 00:07:00,389 that was for a competition legacy. 194 00:07:00,390 --> 00:07:02,789 Is there a competition online 195 00:07:02,790 --> 00:07:04,359 that people can send me like better 196 00:07:04,360 --> 00:07:05,339 graphics. 197 00:07:05,340 --> 00:07:07,469 And yeah, you can see you can combine 198 00:07:07,470 --> 00:07:09,089 all these symbols and everything just to 199 00:07:09,090 --> 00:07:10,619 gravies these graphics. 200 00:07:10,620 --> 00:07:13,139 So this is like several examples 201 00:07:13,140 --> 00:07:14,730 just using their got their set. 202 00:07:17,100 --> 00:07:18,959 And yes. 203 00:07:20,230 --> 00:07:21,760 So can create all kinds of things 204 00:07:23,280 --> 00:07:24,280 at this point. 205 00:07:25,060 --> 00:07:27,279 Yeah, I know the story I did like several 206 00:07:27,280 --> 00:07:29,679 yeshivish on the show in this particular 207 00:07:29,680 --> 00:07:32,079 lady full screen in Paris. 208 00:07:32,080 --> 00:07:34,179 And this is like a residency in 209 00:07:34,180 --> 00:07:36,879 Bergen. So it does have one week and we 210 00:07:36,880 --> 00:07:38,739 just did this monster. 211 00:07:38,740 --> 00:07:40,669 I thought the monster with it was going 212 00:07:40,670 --> 00:07:42,189 to divorce. 213 00:07:42,190 --> 00:07:44,349 And yeah, to our resident this year in 214 00:07:44,350 --> 00:07:46,929 Strasbourg and the festival, 215 00:07:46,930 --> 00:07:48,669 a fantastic film festival. 216 00:07:48,670 --> 00:07:50,929 So I did this performance of late. 217 00:07:50,930 --> 00:07:53,019 They've been just sitting down and 218 00:07:53,020 --> 00:07:55,059 typing an animation from scratch. 219 00:07:55,060 --> 00:07:57,309 And it's also the name of this talk is 220 00:07:57,310 --> 00:07:58,310 called Keyzer Furi. 221 00:07:59,470 --> 00:08:01,619 So these are the several examples of, 222 00:08:01,620 --> 00:08:03,849 uh, yeah, they're maps 223 00:08:03,850 --> 00:08:06,129 that the all animations that you can 224 00:08:06,130 --> 00:08:08,829 see in a full fish. 225 00:08:08,830 --> 00:08:11,559 And I also took the 226 00:08:11,560 --> 00:08:13,899 several character sets from the Commodore 227 00:08:13,900 --> 00:08:15,999 64 and I just then later got 228 00:08:16,000 --> 00:08:18,249 there and just Bellson was like that. 229 00:08:18,250 --> 00:08:20,079 You can apply for four or also for my 230 00:08:20,080 --> 00:08:21,819 sake, because it's just the same system 231 00:08:21,820 --> 00:08:23,919 is the grade is the framework and 232 00:08:23,920 --> 00:08:26,169 the content is destruction's. 233 00:08:26,170 --> 00:08:28,359 And yeah. So you can take it outside 234 00:08:28,360 --> 00:08:29,889 and do the Slansky play. 235 00:08:29,890 --> 00:08:32,048 But he says the 236 00:08:32,049 --> 00:08:34,329 can be something else and 237 00:08:34,330 --> 00:08:35,859 uh. Yeah. 238 00:08:35,860 --> 00:08:36,860 And this is 239 00:08:39,100 --> 00:08:41,499 like a teletext show with the Raspberry 240 00:08:41,500 --> 00:08:43,629 Pi and you can create like your own 241 00:08:43,630 --> 00:08:45,279 teletext signal. So you just need like 242 00:08:45,280 --> 00:08:47,379 the television with the other 243 00:08:47,380 --> 00:08:49,389 unsign. So buildOn since it wasn't a 244 00:08:49,390 --> 00:08:52,299 standard, so that was a 245 00:08:52,300 --> 00:08:53,289 threat of fate. 246 00:08:53,290 --> 00:08:54,939 So you can choose your destiny until it 247 00:08:54,940 --> 00:08:57,399 works. So you basically choose a page 248 00:08:57,400 --> 00:08:59,739 and there it is then and it will give you 249 00:08:59,740 --> 00:09:01,179 your fate. 250 00:09:01,180 --> 00:09:03,729 And so there was also teletext 251 00:09:03,730 --> 00:09:05,229 then for another edition. 252 00:09:05,230 --> 00:09:07,179 And this is like a samples of printing 253 00:09:07,180 --> 00:09:08,450 from the from the screens. 254 00:09:10,060 --> 00:09:12,369 Yeah. And it was in the er 255 00:09:12,370 --> 00:09:14,659 the text. So this summer and find 256 00:09:14,660 --> 00:09:17,079 one of the graphics in there in 257 00:09:17,080 --> 00:09:19,689 the, in the television libraries 258 00:09:19,690 --> 00:09:22,319 in the eight eight five channel 259 00:09:22,320 --> 00:09:25,329 set in their delivery system. 260 00:09:25,330 --> 00:09:27,409 And the Motorola organizers 261 00:09:27,410 --> 00:09:30,459 said that at the festival in 2012 262 00:09:30,460 --> 00:09:32,529 in Finland for the third anniversary. 263 00:09:32,530 --> 00:09:34,719 So you can send teletext art 264 00:09:34,720 --> 00:09:36,309 and they will put it on there on a 265 00:09:36,310 --> 00:09:38,379 television and it and it 266 00:09:38,380 --> 00:09:40,779 went also to the A, 267 00:09:40,780 --> 00:09:42,699 R, B, and they were doing also this 268 00:09:42,700 --> 00:09:44,799 festival and even sovereignly teletext 269 00:09:44,800 --> 00:09:47,649 on the for real in the TV. 270 00:09:47,650 --> 00:09:49,689 And yeah, there's some kind of print and 271 00:09:49,690 --> 00:09:50,799 there's also like a book. 272 00:09:52,030 --> 00:09:54,070 And yeah, this is also like cross stitch 273 00:09:55,120 --> 00:09:57,699 and so 274 00:09:57,700 --> 00:09:59,049 these from the teletext. 275 00:09:59,050 --> 00:10:01,139 So you can actually do like Crossley's. 276 00:10:01,140 --> 00:10:03,339 But so at the end you can combine all 277 00:10:03,340 --> 00:10:05,739 these different techniques and you just 278 00:10:05,740 --> 00:10:07,509 have the basics. 279 00:10:07,510 --> 00:10:09,669 So it works kind of the same. 280 00:10:09,670 --> 00:10:11,919 Yeah. And also this is like the 281 00:10:11,920 --> 00:10:14,589 shape into um. 282 00:10:14,590 --> 00:10:15,999 Yeah. Like a laser cutter. 283 00:10:16,000 --> 00:10:17,709 So you can these have this Harvinder. 284 00:10:19,000 --> 00:10:21,069 Yeah. And this is like a 285 00:10:21,070 --> 00:10:22,120 live performance 286 00:10:23,260 --> 00:10:24,319 mixing teletext. 287 00:10:24,320 --> 00:10:26,079 They are they right there on 64. 288 00:10:26,080 --> 00:10:28,299 So everything was great from the scratch. 289 00:10:28,300 --> 00:10:30,609 And uh musician Alexandre 290 00:10:30,610 --> 00:10:32,709 Allinson, friend from Sweden, see what 291 00:10:32,710 --> 00:10:34,959 does having like these microphones and 292 00:10:34,960 --> 00:10:36,939 collecting all the sounds from the keys 293 00:10:36,940 --> 00:10:38,859 and building all the music from scratch 294 00:10:40,030 --> 00:10:41,259 and. 295 00:10:41,260 --> 00:10:43,089 Yeah. And I want to show you a video, but 296 00:10:43,090 --> 00:10:44,119 I think I it out 297 00:10:45,550 --> 00:10:46,479 so. Yeah. 298 00:10:46,480 --> 00:10:49,599 And this is also a secretary. 299 00:10:49,600 --> 00:10:52,149 I use this for like an hour only because 300 00:10:52,150 --> 00:10:53,559 there is like this person that you 301 00:10:53,560 --> 00:10:55,449 entrust with a secret is like the kind of 302 00:10:55,450 --> 00:10:56,619 their, you know, their work. 303 00:10:56,620 --> 00:10:58,599 And it's so I want to make some kind of 304 00:10:58,600 --> 00:11:00,849 like irony about the typist 305 00:11:00,850 --> 00:11:04,209 and how you just built it just by typing 306 00:11:04,210 --> 00:11:05,289 and. 307 00:11:05,290 --> 00:11:07,989 Yeah. So you can see different examples 308 00:11:07,990 --> 00:11:10,059 to supply from the teletext, but to the 309 00:11:10,060 --> 00:11:11,709 typewriters. 310 00:11:11,710 --> 00:11:13,479 Oh, I'm going fast. 311 00:11:13,480 --> 00:11:15,579 So but I think the best 312 00:11:15,580 --> 00:11:17,899 way to show all this because 313 00:11:17,900 --> 00:11:20,409 I have a video but I messed 314 00:11:20,410 --> 00:11:22,839 up so I just want to show you a video 315 00:11:22,840 --> 00:11:24,939 and I would like to to show 316 00:11:24,940 --> 00:11:27,489 you how I built this. 317 00:11:27,490 --> 00:11:28,599 Uh, yeah. 318 00:11:28,600 --> 00:11:30,039 Animation from scratch. 319 00:11:30,040 --> 00:11:33,129 But I misplace it so 320 00:11:33,130 --> 00:11:34,330 I need to find it. 321 00:11:37,980 --> 00:11:38,980 And 322 00:11:40,530 --> 00:11:41,530 no, 323 00:11:43,420 --> 00:11:44,679 sorry for this. 324 00:11:48,240 --> 00:11:49,240 Uh. 325 00:11:56,210 --> 00:11:57,210 Yes. 326 00:11:57,710 --> 00:12:00,319 So this is a video make for this 327 00:12:00,320 --> 00:12:01,320 and 328 00:12:02,430 --> 00:12:04,969 this young girl, Ceefax, 329 00:12:04,970 --> 00:12:06,500 I think, and it was just 330 00:12:07,910 --> 00:12:08,910 not you. 331 00:12:10,160 --> 00:12:11,160 And 332 00:12:12,280 --> 00:12:14,570 said yes. 333 00:12:17,200 --> 00:12:18,200 So 334 00:12:19,660 --> 00:12:20,889 and there's no sound 335 00:12:22,410 --> 00:12:25,749 it's a mini jack here, sorry. 336 00:12:25,750 --> 00:12:27,849 So, yeah, this video, it 337 00:12:27,850 --> 00:12:29,739 was just being built on. 338 00:12:29,740 --> 00:12:31,329 This is the forward just by a scratch, 339 00:12:31,330 --> 00:12:33,129 just by typing. The characters are now 340 00:12:33,130 --> 00:12:34,629 using software that records all the 341 00:12:34,630 --> 00:12:37,179 keystrokes and they're like, 342 00:12:37,180 --> 00:12:39,249 well, there's no copy paste or set, so 343 00:12:39,250 --> 00:12:40,809 you just need to see it on tape. 344 00:12:40,810 --> 00:12:42,729 And just when you're finished, you just 345 00:12:42,730 --> 00:12:43,779 save it. 346 00:12:43,780 --> 00:12:45,939 And so I want to show you this 347 00:12:45,940 --> 00:12:46,940 first. 348 00:12:47,650 --> 00:12:49,209 There's no sound yet. 349 00:16:59,060 --> 00:17:00,830 So now, 350 00:17:01,890 --> 00:17:04,068 OK, so 351 00:17:04,069 --> 00:17:06,269 we changed to this. 352 00:17:07,500 --> 00:17:08,500 Oh, yeah, 353 00:17:10,079 --> 00:17:12,229 so OK, so 354 00:17:12,230 --> 00:17:13,309 the thing. 355 00:17:13,310 --> 00:17:15,529 So actually you can just, uh, 356 00:17:15,530 --> 00:17:17,749 I mean do just turn it on and you can 357 00:17:17,750 --> 00:17:20,118 actually start typing like 358 00:17:20,119 --> 00:17:22,279 you can not save it, but you can 359 00:17:22,280 --> 00:17:24,739 just start typing and, 360 00:17:24,740 --> 00:17:26,868 uh, just allow the characters and 361 00:17:26,869 --> 00:17:29,119 the colors, uh, with a keyboard 362 00:17:29,120 --> 00:17:31,489 and just go and start. 363 00:17:31,490 --> 00:17:33,289 Yeah. Like combining all the different 364 00:17:33,290 --> 00:17:34,290 symbols 365 00:17:36,650 --> 00:17:38,719 and built all the things 366 00:17:38,720 --> 00:17:39,720 just 367 00:17:46,040 --> 00:17:46,969 so. Yeah. 368 00:17:46,970 --> 00:17:49,219 You can see this over speeded up because 369 00:17:49,220 --> 00:17:50,749 I'm not that fast. 370 00:17:50,750 --> 00:17:52,939 So you just combine different 371 00:17:52,940 --> 00:17:54,710 symbols and just build 372 00:17:56,360 --> 00:17:57,739 like whatever you want. 373 00:18:04,220 --> 00:18:06,349 Yeah, yeah, and you 374 00:18:06,350 --> 00:18:08,449 can see, like everything I do, if I 375 00:18:08,450 --> 00:18:10,789 make a mistake, you just see everything 376 00:18:10,790 --> 00:18:12,889 and it's kind of so if I 377 00:18:12,890 --> 00:18:13,979 fuck it up, be my fault. 378 00:18:13,980 --> 00:18:15,949 So you cannot blame the computer is too 379 00:18:15,950 --> 00:18:18,319 slow to realize through all 380 00:18:18,320 --> 00:18:20,269 noise is just me. 381 00:18:20,270 --> 00:18:21,619 I'm incompetent. 382 00:18:21,620 --> 00:18:22,759 And it's so. 383 00:18:22,760 --> 00:18:25,189 It's so and that's how 384 00:18:25,190 --> 00:18:27,049 I like it about it because you kind of 385 00:18:27,050 --> 00:18:29,159 push you over. You cannot blame anyone 386 00:18:29,160 --> 00:18:30,769 rather than yourself. 387 00:18:30,770 --> 00:18:33,259 So I neither know 388 00:18:33,260 --> 00:18:35,359 does have a lot of fun and just me 389 00:18:35,360 --> 00:18:37,489 or combination with all these different 390 00:18:37,490 --> 00:18:38,449 characters. 391 00:18:38,450 --> 00:18:40,909 And sometimes you make shit and 392 00:18:40,910 --> 00:18:43,729 move on tomorrow, maybe try again. 393 00:18:43,730 --> 00:18:44,989 But um. 394 00:18:44,990 --> 00:18:47,689 Yeah. So this is actually this over. 395 00:18:47,690 --> 00:18:49,759 Uh and of course I don't 396 00:18:49,760 --> 00:18:51,289 use floppies. This is kind of like an 397 00:18:51,290 --> 00:18:53,479 advanced piece of hardware that is very 398 00:18:53,480 --> 00:18:55,699 nice. So I'm going to spend time doing 399 00:18:55,700 --> 00:18:56,700 it. 400 00:18:59,700 --> 00:19:01,979 So this is the software I use 401 00:19:01,980 --> 00:19:04,229 that is just it based on the 402 00:19:04,230 --> 00:19:05,879 latest Leathern operator operators, so 403 00:19:05,880 --> 00:19:07,679 basically just record all these 404 00:19:07,680 --> 00:19:10,379 keystrokes so you Desilets 405 00:19:10,380 --> 00:19:12,689 eight and you just do the same. 406 00:19:12,690 --> 00:19:15,059 So you just go and select the color 407 00:19:15,060 --> 00:19:17,669 and start build things 408 00:19:17,670 --> 00:19:19,349 that need to be very nice. 409 00:19:24,020 --> 00:19:26,329 And you can move all over the place 410 00:19:26,330 --> 00:19:28,459 with a I mean, no, I'm not going to have 411 00:19:28,460 --> 00:19:31,219 time to say 412 00:19:31,220 --> 00:19:33,769 yes. So you get me Bartons 413 00:19:33,770 --> 00:19:34,770 very boring. 414 00:19:36,860 --> 00:19:38,989 And yeah, you 415 00:19:38,990 --> 00:19:39,990 can see 416 00:19:42,110 --> 00:19:43,829 at the 417 00:19:47,630 --> 00:19:51,199 end of the DVD 418 00:19:51,200 --> 00:19:53,610 and you can put some a. 419 00:20:03,580 --> 00:20:04,580 Ray. 420 00:20:17,430 --> 00:20:19,779 And they have a very low like like 421 00:20:19,780 --> 00:20:22,019 giggling like sound that is very nice, 422 00:20:22,020 --> 00:20:23,549 like three hours tweenies, 423 00:20:25,770 --> 00:20:26,770 they say. 424 00:20:29,400 --> 00:20:31,679 So, I mean, with this Aneela, you really 425 00:20:31,680 --> 00:20:33,959 need to like it because it takes forever. 426 00:20:33,960 --> 00:20:36,149 It is not something that 427 00:20:36,150 --> 00:20:37,169 you like. Yeah. 428 00:20:37,170 --> 00:20:39,519 Look at me. How am I doing this? 429 00:20:39,520 --> 00:20:41,819 No, maybe it works for a while, 430 00:20:41,820 --> 00:20:43,889 but at the end they would be lying 431 00:20:43,890 --> 00:20:45,969 in no way I would 432 00:20:45,970 --> 00:20:46,949 do them will either. 433 00:20:46,950 --> 00:20:47,950 Forget 434 00:20:50,400 --> 00:20:52,289 about what. 435 00:20:52,290 --> 00:20:54,689 So I'm just doing 436 00:20:54,690 --> 00:20:56,819 I don't know what I'm doing but 437 00:20:56,820 --> 00:20:58,599 it wouldn't work. So how 438 00:21:00,960 --> 00:21:02,139 so. No. 439 00:21:02,140 --> 00:21:03,140 Yeah. 440 00:21:04,460 --> 00:21:05,389 Yeah ok. 441 00:21:05,390 --> 00:21:06,900 I know. What the fuck. 442 00:21:09,570 --> 00:21:10,619 So. 443 00:21:15,230 --> 00:21:16,230 Yeah, 444 00:21:17,390 --> 00:21:19,579 uh, yeah, 445 00:21:19,580 --> 00:21:21,799 and of course, it's longer, 446 00:21:23,180 --> 00:21:24,470 so you delete 447 00:21:25,760 --> 00:21:27,559 and and that's it. 448 00:21:28,790 --> 00:21:31,129 Yeah. And of course you can go online, 449 00:21:31,130 --> 00:21:32,210 you can move it 450 00:21:33,710 --> 00:21:34,710 super fast. 451 00:21:36,080 --> 00:21:38,789 Now lay up. 452 00:21:38,790 --> 00:21:39,790 Yes. 453 00:21:41,150 --> 00:21:43,339 So the animation that I showed before is 454 00:21:43,340 --> 00:21:44,809 done with this, so. 455 00:21:44,810 --> 00:21:46,819 Yeah. So it took me a month 456 00:21:48,440 --> 00:21:50,599 because sometimes I have like a very 457 00:21:50,600 --> 00:21:51,329 great thing. 458 00:21:51,330 --> 00:21:52,609 But after. 459 00:21:58,350 --> 00:21:59,589 You play it easy to 460 00:22:01,300 --> 00:22:03,369 do this so it 461 00:22:03,370 --> 00:22:05,229 doesn't move with the cursor and let it 462 00:22:05,230 --> 00:22:07,689 be like others are like, yeah, that's 463 00:22:07,690 --> 00:22:10,029 fucking ugly, sorry, 464 00:22:10,030 --> 00:22:12,309 but yeah, so you can have a video 465 00:22:12,310 --> 00:22:13,499 of how it works. 466 00:22:13,500 --> 00:22:15,609 So and it's just triggers 467 00:22:15,610 --> 00:22:16,689 like everything you do. 468 00:22:16,690 --> 00:22:18,879 And I think maybe it should give you 469 00:22:18,880 --> 00:22:21,009 some questions if you have 470 00:22:22,450 --> 00:22:23,450 to. 471 00:22:23,920 --> 00:22:24,920 Thank you. 472 00:22:32,800 --> 00:22:35,239 So I want to ask something, any questions 473 00:22:35,240 --> 00:22:37,459 for a I mean, that was a pretty amazing 474 00:22:37,460 --> 00:22:39,170 and impressive thing you 475 00:22:40,480 --> 00:22:43,369 might like to say. Wow, thank you. 476 00:22:43,370 --> 00:22:44,449 Any questions? 477 00:22:44,450 --> 00:22:45,499 There's four mikes. 478 00:22:45,500 --> 00:22:46,500 We've got questions. 479 00:22:50,420 --> 00:22:52,010 I repeat it, what's the question? 480 00:22:59,110 --> 00:23:01,569 And you put the graphics the 481 00:23:01,570 --> 00:23:02,569 other way around. 482 00:23:02,570 --> 00:23:04,299 I'm repeating it for the people that are 483 00:23:04,300 --> 00:23:06,279 sorry or the other way around because it 484 00:23:06,280 --> 00:23:07,929 seems so exact. 485 00:23:07,930 --> 00:23:09,999 No, actually it happens 486 00:23:10,000 --> 00:23:12,189 sometimes. So the 487 00:23:12,190 --> 00:23:13,569 the music is built before. 488 00:23:13,570 --> 00:23:15,519 And I just listen to it like in a loop 489 00:23:15,520 --> 00:23:16,899 for a lot. 490 00:23:16,900 --> 00:23:18,969 And I see it on tape and 491 00:23:18,970 --> 00:23:21,049 the finish line with this technique, 492 00:23:21,050 --> 00:23:23,619 this technique, it kind of shoots 493 00:23:23,620 --> 00:23:24,949 everything. It works. 494 00:23:24,950 --> 00:23:26,559 So you just played it and you play the 495 00:23:26,560 --> 00:23:28,809 music is like the synchronized. 496 00:23:28,810 --> 00:23:30,159 Yeah. 497 00:23:30,160 --> 00:23:32,479 So because he's also like 498 00:23:32,480 --> 00:23:33,649 you can not edit. 499 00:23:33,650 --> 00:23:36,519 So it's just like building one row until 500 00:23:36,520 --> 00:23:38,649 memories fall and you 501 00:23:38,650 --> 00:23:39,639 cannot save it longer. 502 00:23:39,640 --> 00:23:42,069 So you have to add a new one. 503 00:23:42,070 --> 00:23:43,419 So are there bands. 504 00:23:43,420 --> 00:23:44,889 I work with some people that made the 505 00:23:44,890 --> 00:23:47,439 music after, but normally I just build 506 00:23:47,440 --> 00:23:49,629 the graphics and animation from 507 00:23:49,630 --> 00:23:51,699 the music and just put it together and 508 00:23:51,700 --> 00:23:52,990 it works is 509 00:23:54,160 --> 00:23:55,179 excellent. 510 00:23:55,180 --> 00:23:56,180 Questionnaire. 511 00:23:56,950 --> 00:23:59,349 Hi, thanks. I'm just wondering, you 512 00:23:59,350 --> 00:24:01,569 mentioned that people sort of like throw 513 00:24:01,570 --> 00:24:04,149 words like retro in there quite loosely 514 00:24:04,150 --> 00:24:06,309 and that there is quite important to 515 00:24:06,310 --> 00:24:08,809 understand the craft and 516 00:24:08,810 --> 00:24:11,079 the hand movements of what you're doing. 517 00:24:11,080 --> 00:24:12,879 I wonder if this has any implications or 518 00:24:12,880 --> 00:24:14,739 if you think there are implications that 519 00:24:14,740 --> 00:24:16,359 what you've learned about doing this has 520 00:24:16,360 --> 00:24:18,969 for other forms of 521 00:24:18,970 --> 00:24:21,789 design and an artwork and 522 00:24:21,790 --> 00:24:23,249 that sort of thing. 523 00:24:23,250 --> 00:24:24,250 Uh, 524 00:24:25,710 --> 00:24:28,509 I think if I understand you correctly. 525 00:24:28,510 --> 00:24:30,729 Well, I mean, the funny thing is 526 00:24:30,730 --> 00:24:32,829 the craft Carnochan after that to 527 00:24:32,830 --> 00:24:34,959 do that, this Lamai man tried to make 528 00:24:34,960 --> 00:24:36,489 me do this on Krapf when I was a kid and 529 00:24:36,490 --> 00:24:37,539 I sailed away. 530 00:24:37,540 --> 00:24:40,809 So so somehow 531 00:24:40,810 --> 00:24:43,089 it kind of saying the greed is just 532 00:24:43,090 --> 00:24:44,979 the use of the same thing alive in 533 00:24:44,980 --> 00:24:46,119 knitting and stitching. 534 00:24:46,120 --> 00:24:48,219 Ladies just agreed and you put Carterton 535 00:24:48,220 --> 00:24:50,619 instead of X, so you just put 536 00:24:50,620 --> 00:24:52,479 all these different ones. 537 00:24:52,480 --> 00:24:54,639 But this kind of everything is 538 00:24:54,640 --> 00:24:56,919 kind of related like you feel 539 00:24:56,920 --> 00:24:58,659 when you're typing. It's more like a 540 00:24:58,660 --> 00:25:00,489 crafting, like just just building 541 00:25:00,490 --> 00:25:02,659 something foreign flavor. 542 00:25:02,660 --> 00:25:04,699 And normally I do it for a scratch. 543 00:25:04,700 --> 00:25:06,139 So there's no like background. 544 00:25:06,140 --> 00:25:07,839 So I just type and improvise. 545 00:25:07,840 --> 00:25:10,149 So I'm kind of like crafty way of doing 546 00:25:10,150 --> 00:25:11,689 it. And if I fuck it up, I have to start 547 00:25:11,690 --> 00:25:12,669 over again. 548 00:25:12,670 --> 00:25:14,799 Did answer your question or 549 00:25:14,800 --> 00:25:15,800 I lost 550 00:25:16,960 --> 00:25:19,049 and just you talk about, 551 00:25:19,050 --> 00:25:20,050 OK. 552 00:25:22,100 --> 00:25:24,229 All right, anybody else for 553 00:25:24,230 --> 00:25:26,509 questions going once, going 554 00:25:26,510 --> 00:25:27,510 twice. 555 00:25:28,630 --> 00:25:29,789 A round of applause for Michaela. 556 00:25:29,790 --> 00:25:30,790 Thank you so much.